Crowdfunding is a novel fundraising model widely used by the cultural and creative sectors. Most literature focuses on quantitive success-factors and analyses. The richness of this phenomenon deserves other complementary approaches to uncover theoretical and empirical concerns. What do the fundraisers expect from crowdfunding? To which extent do these projects outreach communities and markets? How do different institutional actors articulate crowdfunding with other funding sources? In this dissertation Carolina dalla Chiesa delves into the features of crowdfunding from three different perspectives: economic, symbolic and institutional.

Onderwerpen: crowdfunding museumwereld 2000-2020 beeldende kunst-wereld geven aan culturele instellingen

Auteur: dr. Carolina Dalla Chiesa